In the recent past, Tamil cinema has seen a new trend in film-making. Films like Mozhi, Kalloori, Tamil MA and many others have sung an elegy to the risque commercial flicks. And now it is Anjathe that promises to carry forward this new epoch in the celluloid world.

Dexterously dealing with the topics of friendship and enmity, the director unwinds the story of two friends caught in a vicious system of a demanding family, corrupted state and anti-social elements. Though there is nothing new in the story, it is the presentation that makes it stand apart. Masterly use of camera movements and unique angles make this thriller more engaging. Appropriate close-ups and long shots to capture the emotions are commendable.

Mysskin’s work with light and use of symbols in place of vulgarity and violence leaves an indelible impression on the audience. The actors have done a wonderful job and strengthened the otherwise weak script. Anjathe is worth watching, not so much for the story as for the technical expertise. Mysskin could have concentrated more on the story as well.