Brilliant bytes from a Delhiite's life
All these and more when put together define the National Capital of India which “is an ever agitated and roaring city” with oxymoronic exisence at every step, high rise buildings next to slums and plush malls standing tall against ancient single-storey markets.
As denizens of this famed City, we live and see this every single day of our lives but when glimpses of the same are represented in photographs, one does halt to take a second look at them! Pictures clicked by JagdevSingh for the exhibition‘Life Bytes @ Delhi’, have a similar effect.
While going to the popular restaurant Delhi ‘O’ Delhi at India Habitat Centre, the tiny black and white photographs hanging in the foyer don’timmediately impress. But ona closer look, the imagesremind a Delhiite of his orher life in the City and introduce a non-Delhiite to theNational Capital.
Each of the 10 photographs has been given a title which makes it easy for a viewer to relate the picture to the thought that occupied the lensman’s mind while taking the shot. Be it ‘People’ – with a reflection of people in a puddle or the ‘Night Bazaar’ – where hazy shots of people’s faces represent their anonymity in a market; all photographs depict the lifeof commoners.
“The city presents a unique and a dynamic face at every corner. The city per se appears overcrowded and you see traffic moving bumper to bumper on several main roads of the city. Busy markets, street food, cycle rickshaws, night bazaars flooded with people are a common sight in Delhi. Life never stops in the streets of Delhi,” says Singh who has tried to capture the essence of this place with his Canon 450 D camera.
Photographs in which Singh clicks pigeons pecking grain near Connaught Place show the humane side whereas, the photograph of hoards of people in Tilak Nagar market represents the ever-increasing population.
“I shot the Tilak Nagar market’s entrance from a flyover,” says Singh who is a resident of West Delhi and has shownthis part along with Old and Central Delhi in a justifiable manner. But most of thepictures omit South Delhi, making the exhibition anincomplete impression.
Singh’s fascination with the architecture of Jantar Mantar is presented in the photograph ‘Symmetry’ which showcases the monument in a different light, almost like a Baoli. “Even the centre pillar of the photograph is worth a mention because it shows the scribblings of visitors and the love of Delhiites to give their autographs on old buildings,” adds the photographer who displays a keen eye for details rather than opting for wide-angle view.
It is difficult to overlook the picture ‘Majestic’ with a single dog in the frame that captures India Gate and the canopy in red sandstone in alignment. Few from the present young generation are aware that the canopy which was built in memory of Sir George V is now kept empty as the statue was removed after the country won independence.
Singh says he purposely waited for “all humans to vacate the area and the lucky dog to enter the frame” so that he could take this brilliant shot.The exhibition is on display at Delhi ‘O’ Delhi foyer, IHC till July 31.