Into the world of Indo-Persian art and culture

The dance seminar ‘Jashn’, organised by AAMAD Dance Center, highlighted the journey of Indo –Persian art and culture from 11th to 19th century and how it has been reformed and influenced by the present scenario. The event held at India International Centre, saw participation of speakers like Narmada Prasad Upadhyaya from Indore, Latif Bolat from Turkey, Mirza M Arif from Delhi and Chetana Jyotishi Beohar from Khairagarh.

Upadhaya talked about the importance and impact of Indo–Persian art and culture in Indian society. “Indians followed the concept of the miniature paintings religiously. They used to paint within a specific block size, whereas Persians were more into definite figure paintings. The fusion of Indo–Persian culture was initiated by legendary artists Amir Khuasrau and Wajid Ali Shah,” she says.

“The Indian miniature paintings hold great history in art and culture as the artisans prevailed before the Mughal era, during and prior to 16th century. Awadh artists also contributed in this to elaborate the artwork with more finesse. The miniature paintings were used to tell the story that of scenarios from Ramayana,” adds Upadhaya.

Beohar expressed her views on Wajid Ali Shah and his contributions towards Indian music and dance through Kathak. “The art prevailed more during the era of Man Singh Tomar. In the 18th century, works of Wajid Ali Shah were printed to let audience know about the performing art, including Raag and Taal of that particular creator,” she informs.

“Ishaq nama is one of the fine works of Wajid Ali Shah among all. It throws light on the degree of training in Kathak. The literature gives instructions for the footwork and hand gestures to get the finesses touch in performance,” Beohar adds.