Credit: Special arrangement
Mahesh Ravikumar’s debut film Bandook draws attention for its gripping narrative. It explores the web of connections between politicians, religious leaders, and charitable institutions.
The film opens with a murder on a secluded riverside island, followed by a series of murders with the same modus operandi. A team led by IPS officer Roopa is tasked with unravelling the mystery behind a series of murders. However, the investigation takes a dark turn when Roopa herself is found murdered. Her husband Rudra, a cop, decides to conduct a private investigation, uncovering shocking details that further complicate the case.
A poignant subplot explores a tragic teenage romance, adding an emotional depth to the story. Notably, the film avoids unwanted songs and unnecessary stunts.
Bandook explores a thought-provoking theme — sometimes, the motive behind certain murders can be rooted in noble intentions — challenging the audience to ponder on the complexities of morality and justice.
The film maintains a serious tone throughout; the absence of humour is noticeable. While the background score effectively enhances the mood, the lack of music in some scenes disrupts the viewing experience.
Cinematography by Rohith Kumaar is noteworthy and action sequences are well-choreographed.
Partha shines as Vishwamithra, delivering a commendable performance. Gopalkrishna Deshpande and Balaji Manohar are impressive.
To conclude, ‘Bandook’ is a gripping crime thriller that marks the debut of its entire crew, including the technicians. It is a great weekend watch for fans of the genre.