<p>Rare pictures of the first Prime Minister Jawaharlal Nehru inside a rail engine or the first President Rajendra Prasad walking outside a station in south India provide a glimpse into the 160 years of Indian Railways. <br /><br /></p>.<p>Unlocking a treasure trove of archives, the Railways has brought on display over 200 rare black and white and sepia-toned images in an exquisite collection titled “160 Years of Indian Railways: An exhibition of selected photographs from the Indian Railways” that opened up for view recently at the Indira Gandhi National Centre for the Arts (IGNCA).<br />“Railways have been so intrinsic to people’s lives in India.<br /><br /> And, through this exhibition we wanted to bring its inception and history closer to people’s mind which may be getting lost in the annals of time,” says Seema Sharma, director, information and publicity, Indian Railways. <br /><br />However, in a departure from a regular commemorative tribute, the exhibition celebrates the history and heritage, architectural and otherwise, while evoking a liberal feel of nostalgia. <br /><br />So, pictures of a late 19th century image of Gothic Victoria Terminus (now Chhatrapati Shivaji Terminus) in then Bombay, one of Frontier Mail with its front decked up with British flags, royal guests being received at a makeshift station built in Delhi during the 1911 Durbar, as well as a rare old photo of Ranchi, Bilaspur and Colaba stations built in Victorian style, among others, are on view.<br /><br />Photographs of Nehru, Indira Gandhi and a young Rajiv Gandhi have been captured together at a platform, neon signs of ubiquitous 'Murphy Radio' company over Patna Junction and the then Madras Central station buildings and the elegant Egmore station waiting rooms are rare views.<br /><br />“But, I believe the part that lends more interest to the exhibition is the Men at Work section whereby one actually sees the hands and feet of the Indian Railway, the gangmen, the foreman, etc are great pictures of human dignity and pride in one's profession,” she says.</p>
<p>Rare pictures of the first Prime Minister Jawaharlal Nehru inside a rail engine or the first President Rajendra Prasad walking outside a station in south India provide a glimpse into the 160 years of Indian Railways. <br /><br /></p>.<p>Unlocking a treasure trove of archives, the Railways has brought on display over 200 rare black and white and sepia-toned images in an exquisite collection titled “160 Years of Indian Railways: An exhibition of selected photographs from the Indian Railways” that opened up for view recently at the Indira Gandhi National Centre for the Arts (IGNCA).<br />“Railways have been so intrinsic to people’s lives in India.<br /><br /> And, through this exhibition we wanted to bring its inception and history closer to people’s mind which may be getting lost in the annals of time,” says Seema Sharma, director, information and publicity, Indian Railways. <br /><br />However, in a departure from a regular commemorative tribute, the exhibition celebrates the history and heritage, architectural and otherwise, while evoking a liberal feel of nostalgia. <br /><br />So, pictures of a late 19th century image of Gothic Victoria Terminus (now Chhatrapati Shivaji Terminus) in then Bombay, one of Frontier Mail with its front decked up with British flags, royal guests being received at a makeshift station built in Delhi during the 1911 Durbar, as well as a rare old photo of Ranchi, Bilaspur and Colaba stations built in Victorian style, among others, are on view.<br /><br />Photographs of Nehru, Indira Gandhi and a young Rajiv Gandhi have been captured together at a platform, neon signs of ubiquitous 'Murphy Radio' company over Patna Junction and the then Madras Central station buildings and the elegant Egmore station waiting rooms are rare views.<br /><br />“But, I believe the part that lends more interest to the exhibition is the Men at Work section whereby one actually sees the hands and feet of the Indian Railway, the gangmen, the foreman, etc are great pictures of human dignity and pride in one's profession,” she says.</p>