<p class="title">It is always a delight to talk to Bappi Lahiri, who for the record, is many things - film and non-film composer and singer, actor, producer, and even story writer. Last but not the least, he is a performer. At 66, he is still going strong, foraying enthusiastically into newer avenues through which he connects with GenY.</p>.<p class="bodytext">He has almost completed 50 years in films as his debut film in Bengali, <span class="italic">Dadu</span>, was released in 1969. After <span class="italic">Dadu</span>, the man decided to make his career in Hindi films and came to Mumbai. Soon, he bagged his first assignment, <span class="italic">Nanha Shikari</span>. In 1973, he did one more film, <span class="italic">Charitra</span>. Bappi shot to prominence with <span class="italic">Zakhmee</span> (1975). Within weeks came the audio of his next film, <span class="italic">Chalte Chalte</span>, with its smash-hit and now cult song, <span class="italic">'Chalte Chalte Mere Yeh Geet Yaad Rakhna'.</span></p>.<p class="CrossHead">Slow & steady</p>.<p class="bodytext">Bappi's ascent came in steps. He largely did small films, but nearly all of them A-grade, and brought in the disco sound in <span class="italic">Surakksha</span> (1979). More disco hits came from 1980. Finally, big time arrived in 1982, with the <span class="italic">Haathkadi</span> anthem, <span class="italic">'Disco Station'</span>, <span class="italic">Namak Halaal</span> led by the evergreen <span class="italic">'Ke Pag Ghunghroo'</span>, and <span class="italic">'Disco Dancer'.</span> And then came the trendsetting <span class="italic">Himmatwala in 1983</span>.</p>.<p class="bodytext">The 1980s and 1990s saw Bappi Lahiri in prolific form, making music that ranged from awesome to awful with the biggest stars and film-makers. Recognising changing tastes in the millennium, the composer changed tracks, focusing on non-film and international work, and even turning into a professional singer. And now is the season when his shows continue to be in big demand globally and a season in which lifetime achievement awards are cascading in.</p>.<p class="bodytext">"The last three years, in particular, have been very good," he exults. Seven of his songs have received international acclaim, ironical considering his tendency to rework so many Western hits in Hindi films, a fact he now concedes smilingly! His <span class="italic">'Jhoom Jhoom Jhoom Baba'</span> has been used in <span class="italic">Guardians Of The Galaxy 2</span>, <span class="italic">'Come Closer'</span> from the same film in <span class="italic">Lion,</span> and he composed the original song <span class="italic">'Shona</span>' for <br /><span class="italic">Moana</span>.</p>.<p class="bodytext">"It started with them reworking my <span class="italic">'Kaliyon Ka Chaman'</span> from <span class="italic">Jyoti</span> in the 2002 album 'Addictive'. Then, <span class="italic">'Jimmy Jimmy'</span> from <span class="italic">Disco Dancer</span> was used in <span class="italic">You Don't Mess With The Zohan in 2008</span>. In 2011, I composed the soundtrack of <span class="italic">Will To Live,</span> with Asha Bhosle, Sunidhi Chauhan and MC Hammer. I have also introduced Samantha Fox, Boy George & Apache Indian to Hindi cinema!"</p>.<p class="bodytext">2017, he says, was no less special. "My hit songs were recreated in <span class="italic">Badrinath Ki Dulhania</span>, <span class="italic">Ittefaq</span> and<span class="italic"> Naam Shabana,</span> and all became hits. Now, I have sung for everyone from Dev Anand to Varun Dhawan and Ranveer Singh! And in 2018, I have already received three lifetime awards!"</p>.<p class="bodytext">He preens that he has worked with five pairs of two generations: Dev and son Suneil Anand, Sunil and Sanjay Dutt, Dharmendra and Sunny Deol, Jeetendra and Tusshar, and Amitabh Bachchan and Abhishek Bachchan.</p>.<p class="bodytext">What thrills Bappi the most is the fact that at his concerts the world over, the audience cannot tire of his original compositions. "They want my disco numbers and go crazy over<span class="italic"> 'Kisi Nazar Ko Tera'</span> and <span class="italic">'Pyaar Kabhi Kam Nahin Karna'</span>," he says. "The public calls me versatile. I am here because of my fans' blessings and love," he says. "And I am doing something new all the time. I plan to work with Snoop Dogg now."</p>.<p class="bodytext">So, what does he think of this recreation trend? "Today's lyrics and music have little attraction. While our timeless songs are being reworked and become huge hits, today's original songs can never be mixed in the future! On the other hand, I am proud that the kids of today sing and even dance to my originals like <span class="italic">'Jimmy Jimmy Jimmy'</span>."</p>.<p class="bodytext">But, was he not criticised for his disco music when he first made those songs? "I was criticised for bringing in Western music and beats," he agrees. "But it was a new style then. But I even merged Bengali folk with disco, as in<span class="italic"> 'De De Pyaar De'</span>. And I didn't just do dance numbers. I composed many classical songs too. Even in <span class="italic">Sharaabi</span>, there was the soulful <span class="italic">'Inteha Ho Gayi Intezaar Ki</span>'."</p>.<p class="CrossHead">The disco man</p>.<p class="bodytext">He agrees that his name is synonymous with disco, but he points out to his training under his musician father Aparesh Lahiri and others. "I am trained in Indian classical music and have also learnt the <span class="italic">tabla</span> and the piano," he reminds us. Bappi considers Lata Mangeshkar as his "Maa Saraswati" and cherishes the way Kishore Kumar and she made so many of his songs evergreen.</p>.<p class="bodytext">He recalls his first song with Mohammed Rafi also with special affection. "Those were the days of live recordings," he remembers. "There I was, standing between Rafi-<span class="italic">saab</span> and Kishore-<span class="italic">da</span> for the song <span class="italic">'Nothing Is Impossible',</span> and Rafi-<span class="italic">saab</span> sensed my tension. He gently took me aside and said, 'Don't get scared. We are the Rafi and the Kishore today, but your time will come too when people will call you the Bappi.' Such words can never be erased from the heart."</p>.<p class="bodytext">And then Bappi reveals the amazing secret of his seeming fetish for adorning himself with so much gold and his trademark glares. "I was coming out of a show in Australia when a man stepped out of a car and asked me, 'Are you Elvis Presley's cousin?' I told him who I was, and also that I was inspired by him and modelled my ornaments and glares on him, as I considered him my idol and mentor."</p>
<p class="title">It is always a delight to talk to Bappi Lahiri, who for the record, is many things - film and non-film composer and singer, actor, producer, and even story writer. Last but not the least, he is a performer. At 66, he is still going strong, foraying enthusiastically into newer avenues through which he connects with GenY.</p>.<p class="bodytext">He has almost completed 50 years in films as his debut film in Bengali, <span class="italic">Dadu</span>, was released in 1969. After <span class="italic">Dadu</span>, the man decided to make his career in Hindi films and came to Mumbai. Soon, he bagged his first assignment, <span class="italic">Nanha Shikari</span>. In 1973, he did one more film, <span class="italic">Charitra</span>. Bappi shot to prominence with <span class="italic">Zakhmee</span> (1975). Within weeks came the audio of his next film, <span class="italic">Chalte Chalte</span>, with its smash-hit and now cult song, <span class="italic">'Chalte Chalte Mere Yeh Geet Yaad Rakhna'.</span></p>.<p class="CrossHead">Slow & steady</p>.<p class="bodytext">Bappi's ascent came in steps. He largely did small films, but nearly all of them A-grade, and brought in the disco sound in <span class="italic">Surakksha</span> (1979). More disco hits came from 1980. Finally, big time arrived in 1982, with the <span class="italic">Haathkadi</span> anthem, <span class="italic">'Disco Station'</span>, <span class="italic">Namak Halaal</span> led by the evergreen <span class="italic">'Ke Pag Ghunghroo'</span>, and <span class="italic">'Disco Dancer'.</span> And then came the trendsetting <span class="italic">Himmatwala in 1983</span>.</p>.<p class="bodytext">The 1980s and 1990s saw Bappi Lahiri in prolific form, making music that ranged from awesome to awful with the biggest stars and film-makers. Recognising changing tastes in the millennium, the composer changed tracks, focusing on non-film and international work, and even turning into a professional singer. And now is the season when his shows continue to be in big demand globally and a season in which lifetime achievement awards are cascading in.</p>.<p class="bodytext">"The last three years, in particular, have been very good," he exults. Seven of his songs have received international acclaim, ironical considering his tendency to rework so many Western hits in Hindi films, a fact he now concedes smilingly! His <span class="italic">'Jhoom Jhoom Jhoom Baba'</span> has been used in <span class="italic">Guardians Of The Galaxy 2</span>, <span class="italic">'Come Closer'</span> from the same film in <span class="italic">Lion,</span> and he composed the original song <span class="italic">'Shona</span>' for <br /><span class="italic">Moana</span>.</p>.<p class="bodytext">"It started with them reworking my <span class="italic">'Kaliyon Ka Chaman'</span> from <span class="italic">Jyoti</span> in the 2002 album 'Addictive'. Then, <span class="italic">'Jimmy Jimmy'</span> from <span class="italic">Disco Dancer</span> was used in <span class="italic">You Don't Mess With The Zohan in 2008</span>. In 2011, I composed the soundtrack of <span class="italic">Will To Live,</span> with Asha Bhosle, Sunidhi Chauhan and MC Hammer. I have also introduced Samantha Fox, Boy George & Apache Indian to Hindi cinema!"</p>.<p class="bodytext">2017, he says, was no less special. "My hit songs were recreated in <span class="italic">Badrinath Ki Dulhania</span>, <span class="italic">Ittefaq</span> and<span class="italic"> Naam Shabana,</span> and all became hits. Now, I have sung for everyone from Dev Anand to Varun Dhawan and Ranveer Singh! And in 2018, I have already received three lifetime awards!"</p>.<p class="bodytext">He preens that he has worked with five pairs of two generations: Dev and son Suneil Anand, Sunil and Sanjay Dutt, Dharmendra and Sunny Deol, Jeetendra and Tusshar, and Amitabh Bachchan and Abhishek Bachchan.</p>.<p class="bodytext">What thrills Bappi the most is the fact that at his concerts the world over, the audience cannot tire of his original compositions. "They want my disco numbers and go crazy over<span class="italic"> 'Kisi Nazar Ko Tera'</span> and <span class="italic">'Pyaar Kabhi Kam Nahin Karna'</span>," he says. "The public calls me versatile. I am here because of my fans' blessings and love," he says. "And I am doing something new all the time. I plan to work with Snoop Dogg now."</p>.<p class="bodytext">So, what does he think of this recreation trend? "Today's lyrics and music have little attraction. While our timeless songs are being reworked and become huge hits, today's original songs can never be mixed in the future! On the other hand, I am proud that the kids of today sing and even dance to my originals like <span class="italic">'Jimmy Jimmy Jimmy'</span>."</p>.<p class="bodytext">But, was he not criticised for his disco music when he first made those songs? "I was criticised for bringing in Western music and beats," he agrees. "But it was a new style then. But I even merged Bengali folk with disco, as in<span class="italic"> 'De De Pyaar De'</span>. And I didn't just do dance numbers. I composed many classical songs too. Even in <span class="italic">Sharaabi</span>, there was the soulful <span class="italic">'Inteha Ho Gayi Intezaar Ki</span>'."</p>.<p class="CrossHead">The disco man</p>.<p class="bodytext">He agrees that his name is synonymous with disco, but he points out to his training under his musician father Aparesh Lahiri and others. "I am trained in Indian classical music and have also learnt the <span class="italic">tabla</span> and the piano," he reminds us. Bappi considers Lata Mangeshkar as his "Maa Saraswati" and cherishes the way Kishore Kumar and she made so many of his songs evergreen.</p>.<p class="bodytext">He recalls his first song with Mohammed Rafi also with special affection. "Those were the days of live recordings," he remembers. "There I was, standing between Rafi-<span class="italic">saab</span> and Kishore-<span class="italic">da</span> for the song <span class="italic">'Nothing Is Impossible',</span> and Rafi-<span class="italic">saab</span> sensed my tension. He gently took me aside and said, 'Don't get scared. We are the Rafi and the Kishore today, but your time will come too when people will call you the Bappi.' Such words can never be erased from the heart."</p>.<p class="bodytext">And then Bappi reveals the amazing secret of his seeming fetish for adorning himself with so much gold and his trademark glares. "I was coming out of a show in Australia when a man stepped out of a car and asked me, 'Are you Elvis Presley's cousin?' I told him who I was, and also that I was inspired by him and modelled my ornaments and glares on him, as I considered him my idol and mentor."</p>