<p>From the entrance of a house in Rajasthan with muddy walls to the Bandra Worli Sea link in Mumbai; the breath-taking view of river Tso Moriri in Ladakh or bricks arranged out neatly in a kiln to rag-pickers amidst a heap of garbage and many more different photographs from various genres – this is how Prashant Panjiar’s photographs vary. He seeks to observe the visual landscape of India at the cusp of change. <br /><br /></p>.<p>His photographs are taken from various places in India. There are photographs taken from the different states in India. <br />Most of the photographs taken are inclined towards the lives of the labourers in the Bandra Worli Sea link. <br /><br />Akash, a final-year student from Chitra Kala Parishat says, “The photographs are very good. They look very realistic and I feel like even I am a part of them. The photographs are taken at such different places that each one demands at least five minutes for me to understand and look into the details.” <br /><br />Prashant Panjiar’s photographs also reflect upon the ways Indians live today. <br />Keeping in mind this aspect, he has taken some photographs on how the Indian temples look when the god is colourfully decked up, a highway being widened, jute stalks stacked together after a good harvest. <br /><br />An eye-catching photograph is a back lane of the upmarket Park Street in Kolkata, where a wall is painted in bright pink colour and there are around four to five air conditioner ducts. <br /><br />Prashant has taken every effort to capture the daily aspects of people in a creative manner. <br /><br />Archana T, an onlooker says, “I liked all the photographs a lot and there is so much of clarity, creativity and reality in them. The photographs have the ability to capture a person’s attention for a quite sometime.” All the photographs have a description and also the place in which they were taken. <br />The exhibition is on till October 31 at Gallery Sumukha, 24/10, BTS Depot Road, Wilson Garden. <br /></p>
<p>From the entrance of a house in Rajasthan with muddy walls to the Bandra Worli Sea link in Mumbai; the breath-taking view of river Tso Moriri in Ladakh or bricks arranged out neatly in a kiln to rag-pickers amidst a heap of garbage and many more different photographs from various genres – this is how Prashant Panjiar’s photographs vary. He seeks to observe the visual landscape of India at the cusp of change. <br /><br /></p>.<p>His photographs are taken from various places in India. There are photographs taken from the different states in India. <br />Most of the photographs taken are inclined towards the lives of the labourers in the Bandra Worli Sea link. <br /><br />Akash, a final-year student from Chitra Kala Parishat says, “The photographs are very good. They look very realistic and I feel like even I am a part of them. The photographs are taken at such different places that each one demands at least five minutes for me to understand and look into the details.” <br /><br />Prashant Panjiar’s photographs also reflect upon the ways Indians live today. <br />Keeping in mind this aspect, he has taken some photographs on how the Indian temples look when the god is colourfully decked up, a highway being widened, jute stalks stacked together after a good harvest. <br /><br />An eye-catching photograph is a back lane of the upmarket Park Street in Kolkata, where a wall is painted in bright pink colour and there are around four to five air conditioner ducts. <br /><br />Prashant has taken every effort to capture the daily aspects of people in a creative manner. <br /><br />Archana T, an onlooker says, “I liked all the photographs a lot and there is so much of clarity, creativity and reality in them. The photographs have the ability to capture a person’s attention for a quite sometime.” All the photographs have a description and also the place in which they were taken. <br />The exhibition is on till October 31 at Gallery Sumukha, 24/10, BTS Depot Road, Wilson Garden. <br /></p>
