Mukhaputa

If “Phir Milenge,” “My Brother Nikhil” and other films tackled gay sex and AIDS, “Mukhaputa” looks at the most unfortunate of HIV infected patients - the children who are born with the disease. It throws up some uncomfortable yet pertinent questions at the society - who is responsible for the care of these unlucky tots? Aren’t these children entitled to a normal life as are other children?

First-time director Roopa Iyer weaves a fine, yet robust yarn in the colours of culture, humanity and compassion. Her approach is direct: the supporting characters are forced to look at themselves in their roles as upholders of norms and tradition. Highlighting Hindu culture, Roopa brings in the Vedas, Upanishads and the like dissecting the Hindu way of life effortlessly. However, the film embraces words in place of silence, undoing all the good work. The rapport between Gowri (Roopa) and Bhavati (Baby Saniya) is a pleasure to watch. Hamsalekha’s lyrics and music add to the mood of the film while others translate the director’s vision beautifully and design an arresting film that engages the society.