<p>It is no secret that 2021 was an eventful year for the Telugu film industry. Tollywood, which suffered a big setback in 2020 due to the Covid-19 lockdown, regained its mojo when Sankranti releases such as <em>Krack </em>and <em>Red </em>set the box office on fire. It continued its journey of recovery in the months to follow as several big-ticket movies compelled fans to visit cinemas even under the 'new normal'. It, however, hit a major roadblock when cinemas were shut during the second wave of the pandemic, </p>.<p>The dark clouds finally lifted when films such as <em>Love Story</em> and <em>Akhanda </em>opened to a phenomenal response at the box office. With 2022 almost upon us, here are the major moments from the year gone by.</p>.<p><strong>Sankranti sensations bring cheer to fans </strong></p>.<p>The Sankranti season has always been a memorable one for Telugu cinema. Allu Arjun's <em>Ala Vaikunthapurramuloo</em> and Mahesh Babu-starrer <em>Sarileru Neekkevvaru</em> raked in the moolah last year much to the delight of fans. The festival proved to be no different this time around as <em>Krack</em>, starring Ravi Teja, and Ram's <em>Red </em>set the cash registers ringing despite Covid-19 restrictions.The Telugu-dubbed version of <em>Master</em>, featuring Vijay and Malavika Mohanan, too made a solid impact in Andhra Pradesh and Telangana.</p>.<p><strong>PK shows his power </strong></p>.<p>The industry remained strong between February and April as <em>Uppena</em>, <em>Naandhi </em>and <em>Jathi Ratnalu </em>made an impact at the box office. It was, however, Pawan Kalyan's<em> Vakeel Saab </em>that emerged as the biggest blockbuster of this period. The film was a 'massy' remake of Pink and highlighted the importance of consent.</p>.<p><strong>There were disappointments too</strong></p>.<p>While the year was a good one, on the whole, a few films did not live up to expectations. Nithiin, who scored a big hit last year with <em>Bheeshma</em>, wasn't able to keep the momentum going as<em> Rang De </em>and <em>Check </em>fizzled out at the box office. Sumanth's <em>Kapatadhaari</em>, a remake of the Kannada movie <em>Kavaludaari</em>, sank without a trace. It was, however, Rana Daggubati's <em>Aranya </em>that proved to be the most notable disappointment of the year. The Prabhu Solomon-helmed movie created a buzz with its impressive trailer but that did not result in impressive box office numbers.</p>.<p><strong>Impressive final phase </strong></p>.<p>The second wave of the pandemic created problems for the film industry as cinemas were closed to avoid large gatherings. Naga Chaitanya's <em>Love Story</em> helped Tollywood cover lost ground as it emerged as the top choice of the family audience. </p>.<p><strong>Also Read |<a href="https://www.deccanherald.com/entertainment/entertainment-news/love-story-closing-collection-naga-chaitanya-starrer-hits-the-jackpot-1043100.html" target="_blank"><strong> </strong>'Love Story' closing collection: Naga Chaitanya-starrer hits the jackpot</a></strong></p>.<p><em>Akhanda</em>, on the other hand, managed to attract a mass audience. The Balakrishna-starrer 'roared' in B and C, helping the <em>Simha </em>actor revive his career after three consecutive flops. It was, however, <em>Pushpa </em>that proved to be the biggest surprise of the year as it did well in most markets, emerging as a pan-India success. <br /> </p>.<p><strong>OTT still rules</strong></p>.<p>OTT emerged as an alternative to theatres last year with films such as <em>V </em>and <em>Penguin </em>opting for a 'direct-to-digital' release. Tollywood made its presence felt in the web space this year as well. <em>Pitha Kathalu</em>, the first Netflix original to be shot in Telugu, received praise for highlighting the different shades of lust. <em>Kudi Yedamaithe</em>, directed by <em>U Turn</em> helmer Pawan Kumar, garnered attention as it explored the concept of a 'time loop'. It was, however, Venkatesh who emerged as the big winner on OTT as he delivered a<a href="https://www.deccanherald.com/entertainment/narappa-movie-review-venkatesh-starrer-is-a-nearly-flawless-action-drama-1010693.html" target="_blank"> beautifully-restrained performance in</a> <em>Narappa</em>, a remake of Dhanush's <em>Asuran</em>. He subsequently reprised his role as Rambabu, a caring family man, in the 'digital blockbuster' <em>Drushyam 2</em>. On the flip side, Nani's<em> Tuck Jagadish </em>didn't live up to expectations. </p>
<p>It is no secret that 2021 was an eventful year for the Telugu film industry. Tollywood, which suffered a big setback in 2020 due to the Covid-19 lockdown, regained its mojo when Sankranti releases such as <em>Krack </em>and <em>Red </em>set the box office on fire. It continued its journey of recovery in the months to follow as several big-ticket movies compelled fans to visit cinemas even under the 'new normal'. It, however, hit a major roadblock when cinemas were shut during the second wave of the pandemic, </p>.<p>The dark clouds finally lifted when films such as <em>Love Story</em> and <em>Akhanda </em>opened to a phenomenal response at the box office. With 2022 almost upon us, here are the major moments from the year gone by.</p>.<p><strong>Sankranti sensations bring cheer to fans </strong></p>.<p>The Sankranti season has always been a memorable one for Telugu cinema. Allu Arjun's <em>Ala Vaikunthapurramuloo</em> and Mahesh Babu-starrer <em>Sarileru Neekkevvaru</em> raked in the moolah last year much to the delight of fans. The festival proved to be no different this time around as <em>Krack</em>, starring Ravi Teja, and Ram's <em>Red </em>set the cash registers ringing despite Covid-19 restrictions.The Telugu-dubbed version of <em>Master</em>, featuring Vijay and Malavika Mohanan, too made a solid impact in Andhra Pradesh and Telangana.</p>.<p><strong>PK shows his power </strong></p>.<p>The industry remained strong between February and April as <em>Uppena</em>, <em>Naandhi </em>and <em>Jathi Ratnalu </em>made an impact at the box office. It was, however, Pawan Kalyan's<em> Vakeel Saab </em>that emerged as the biggest blockbuster of this period. The film was a 'massy' remake of Pink and highlighted the importance of consent.</p>.<p><strong>There were disappointments too</strong></p>.<p>While the year was a good one, on the whole, a few films did not live up to expectations. Nithiin, who scored a big hit last year with <em>Bheeshma</em>, wasn't able to keep the momentum going as<em> Rang De </em>and <em>Check </em>fizzled out at the box office. Sumanth's <em>Kapatadhaari</em>, a remake of the Kannada movie <em>Kavaludaari</em>, sank without a trace. It was, however, Rana Daggubati's <em>Aranya </em>that proved to be the most notable disappointment of the year. The Prabhu Solomon-helmed movie created a buzz with its impressive trailer but that did not result in impressive box office numbers.</p>.<p><strong>Impressive final phase </strong></p>.<p>The second wave of the pandemic created problems for the film industry as cinemas were closed to avoid large gatherings. Naga Chaitanya's <em>Love Story</em> helped Tollywood cover lost ground as it emerged as the top choice of the family audience. </p>.<p><strong>Also Read |<a href="https://www.deccanherald.com/entertainment/entertainment-news/love-story-closing-collection-naga-chaitanya-starrer-hits-the-jackpot-1043100.html" target="_blank"><strong> </strong>'Love Story' closing collection: Naga Chaitanya-starrer hits the jackpot</a></strong></p>.<p><em>Akhanda</em>, on the other hand, managed to attract a mass audience. The Balakrishna-starrer 'roared' in B and C, helping the <em>Simha </em>actor revive his career after three consecutive flops. It was, however, <em>Pushpa </em>that proved to be the biggest surprise of the year as it did well in most markets, emerging as a pan-India success. <br /> </p>.<p><strong>OTT still rules</strong></p>.<p>OTT emerged as an alternative to theatres last year with films such as <em>V </em>and <em>Penguin </em>opting for a 'direct-to-digital' release. Tollywood made its presence felt in the web space this year as well. <em>Pitha Kathalu</em>, the first Netflix original to be shot in Telugu, received praise for highlighting the different shades of lust. <em>Kudi Yedamaithe</em>, directed by <em>U Turn</em> helmer Pawan Kumar, garnered attention as it explored the concept of a 'time loop'. It was, however, Venkatesh who emerged as the big winner on OTT as he delivered a<a href="https://www.deccanherald.com/entertainment/narappa-movie-review-venkatesh-starrer-is-a-nearly-flawless-action-drama-1010693.html" target="_blank"> beautifully-restrained performance in</a> <em>Narappa</em>, a remake of Dhanush's <em>Asuran</em>. He subsequently reprised his role as Rambabu, a caring family man, in the 'digital blockbuster' <em>Drushyam 2</em>. On the flip side, Nani's<em> Tuck Jagadish </em>didn't live up to expectations. </p>