<p>Actor Shivarajkumar’s ‘Kavacha’ is releasing today. The film, which is loosely adapted from Malayalam film ‘Oppam’, marks the directorial debut for G V R Vasu. </p>.<p>In a candid chat with <strong>Tini Sara Anien</strong>, the filmmaker talks about the journey. </p>.<p class="Question"><strong>What made you choose this script?</strong></p>.<p>I was working on my own script when I watched ‘Oppam’; I loved the film. I got inspired by the script pattern and wanted to work on something similar. </p>.<p class="Question"><strong>How did you manage to rope Shivarajkumar in?</strong></p>.<p>It was hard. Shivanna was not ready to work in remakes, he hadn’t done one for more than 14 years. I convinced him that I was going to rework the script. It was important for me to own the script and the emotions of the characters. After I narrated the reworked script, he agreed to work in the film. </p>.<p class="Question"><strong>How similar is ‘Kavacha’ to ‘Oppam’?</strong></p>.<p>‘Kavacha’ is only 50 per cent like ‘Oppam’. Different characters have been introduced, I have enhanced the conflict in the film and made it contextual to its audience. Any script will have space for improvement and I used this opportunity. Malayalam movie buffs are different from Kannada film lovers; in Malayalam films, small sensibilities are appreciated by the audience but the nativity does not work here. The audience here would have felt a lag in the original film. </p>.<p class="Question"><strong>How was it to work with Shivarajkumar?</strong></p>.<p>He is a director’s hero. It was a blessing to work with him; he was cooperative. I met him when I was a part of the team of ‘Killing Veerappan’. He excelled in his performance and is an asset in the film. </p>
<p>Actor Shivarajkumar’s ‘Kavacha’ is releasing today. The film, which is loosely adapted from Malayalam film ‘Oppam’, marks the directorial debut for G V R Vasu. </p>.<p>In a candid chat with <strong>Tini Sara Anien</strong>, the filmmaker talks about the journey. </p>.<p class="Question"><strong>What made you choose this script?</strong></p>.<p>I was working on my own script when I watched ‘Oppam’; I loved the film. I got inspired by the script pattern and wanted to work on something similar. </p>.<p class="Question"><strong>How did you manage to rope Shivarajkumar in?</strong></p>.<p>It was hard. Shivanna was not ready to work in remakes, he hadn’t done one for more than 14 years. I convinced him that I was going to rework the script. It was important for me to own the script and the emotions of the characters. After I narrated the reworked script, he agreed to work in the film. </p>.<p class="Question"><strong>How similar is ‘Kavacha’ to ‘Oppam’?</strong></p>.<p>‘Kavacha’ is only 50 per cent like ‘Oppam’. Different characters have been introduced, I have enhanced the conflict in the film and made it contextual to its audience. Any script will have space for improvement and I used this opportunity. Malayalam movie buffs are different from Kannada film lovers; in Malayalam films, small sensibilities are appreciated by the audience but the nativity does not work here. The audience here would have felt a lag in the original film. </p>.<p class="Question"><strong>How was it to work with Shivarajkumar?</strong></p>.<p>He is a director’s hero. It was a blessing to work with him; he was cooperative. I met him when I was a part of the team of ‘Killing Veerappan’. He excelled in his performance and is an asset in the film. </p>