<p><strong>Cast</strong>: Martin Freeman, Imelda Staunton and Joe Absolom</p>.<p><strong>Platform: </strong>SonyLIV</p>.<p><strong>Rating</strong>: 4/5</p>.<p>The eagerly-awaited miniseries<em> A Confession</em>, which premiered on SonyLIV on Friday, is a compelling drama that hits the right notes, leaving fans asking for more. The show revolves around what happens when a young woman ‘goes missing’ under mysterious circumstances. The basic storyline, which deals with separation and regret, is quite compelling and strikes a chord.</p>.<p>Its impact is enhanced by deft writing. The screenplay, which relies on ‘showing’ as opposed to ‘telling’, leaves viewers spellbound with its organic/natural intensity. The silences do the talking in quite a few crucial scenes, upping the recall value of <em>A Confession</em>.</p>.<p>The interrogation/interview sequences have been executed quite well and form the backbone of the show. Moreover, subplots blend quite well with the core theme of the show, adding a new layer to the viewing experience. Most of the characters have been fleshed out with finesse and come across as relatable.</p>.<p>The ‘disciplinary trial’ too is another major highlight of A Confession and keeps the audience guessing.</p>.<p>On the flip, a couple of twists seem to be a bit predictable. Moreover, a section of the audience might find the first 20 odd minutes of the series to be relatively less engaging. These are, however, minor drawbacks in the larger scheme of things.</p>.<p>Coming to performances, Martin Freeman is the heart and soul of<em> A Confession</em>. ‘Watson’ hits it out of the park with his beautifully restrained act. His expressions highlight the vulnerability of his character in a key sequence.</p>.<p><em>Harry Potter </em>actress Imelda Staunton makes a decent impact, bringing her ‘A’ game when needed. Joe Absolom emerges as the surprise package of <em>A Confession</em>, delivering a performance that is not suitable for the faint-hearted.</p>.<p>The supporting cast is quite good.</p>.<p>The editing is top-notch as none of the sequences drag. The cinematography is up to the mark and gives <em>A Confession</em> a relatable look and feel. The background score is top-notch and proves to be the ‘X factor’ of the show. The other technical aspects have been handled reasonably well. </p>
<p><strong>Cast</strong>: Martin Freeman, Imelda Staunton and Joe Absolom</p>.<p><strong>Platform: </strong>SonyLIV</p>.<p><strong>Rating</strong>: 4/5</p>.<p>The eagerly-awaited miniseries<em> A Confession</em>, which premiered on SonyLIV on Friday, is a compelling drama that hits the right notes, leaving fans asking for more. The show revolves around what happens when a young woman ‘goes missing’ under mysterious circumstances. The basic storyline, which deals with separation and regret, is quite compelling and strikes a chord.</p>.<p>Its impact is enhanced by deft writing. The screenplay, which relies on ‘showing’ as opposed to ‘telling’, leaves viewers spellbound with its organic/natural intensity. The silences do the talking in quite a few crucial scenes, upping the recall value of <em>A Confession</em>.</p>.<p>The interrogation/interview sequences have been executed quite well and form the backbone of the show. Moreover, subplots blend quite well with the core theme of the show, adding a new layer to the viewing experience. Most of the characters have been fleshed out with finesse and come across as relatable.</p>.<p>The ‘disciplinary trial’ too is another major highlight of A Confession and keeps the audience guessing.</p>.<p>On the flip, a couple of twists seem to be a bit predictable. Moreover, a section of the audience might find the first 20 odd minutes of the series to be relatively less engaging. These are, however, minor drawbacks in the larger scheme of things.</p>.<p>Coming to performances, Martin Freeman is the heart and soul of<em> A Confession</em>. ‘Watson’ hits it out of the park with his beautifully restrained act. His expressions highlight the vulnerability of his character in a key sequence.</p>.<p><em>Harry Potter </em>actress Imelda Staunton makes a decent impact, bringing her ‘A’ game when needed. Joe Absolom emerges as the surprise package of <em>A Confession</em>, delivering a performance that is not suitable for the faint-hearted.</p>.<p>The supporting cast is quite good.</p>.<p>The editing is top-notch as none of the sequences drag. The cinematography is up to the mark and gives <em>A Confession</em> a relatable look and feel. The background score is top-notch and proves to be the ‘X factor’ of the show. The other technical aspects have been handled reasonably well. </p>