<p>Bhagyada Lakshmi baaramma’ is one of the most popular Kannada compositions across the Karnatik music-performing states. It is Purandaradasa’s charming invocation to goddess Lakshmi, inviting her to dance into the homes of the devout, blessing them with daily festivity.</p>.<p>Pandit Bhimsen Joshi took up the 16th century composition and rendered it in the Hindustani style, changing the raga from Madhyamavati to Bibas, and singing it at a brisker pace.</p>.<p>This has become a concert standard on the Hindustani stage, catching the imagination of classical vocalists in Maharashtra as well. If you are a literalist, you might wonder how Bhimsen Joshi sings this in a morning raga when Lakshmi puja is performed in the evening. But then, what is music if it has no freedom to reimagine time?</p>.<p>Several musicians are now attempting ‘Bhagyada Lakshmi baaramma’ with Western accompaniments, giving it a ‘fusion’ colour. A recent rendering by Sushruth S A, posted on YouTube, has garnered 1.54 lakh views.</p>.<p>He sings it in the familiar, time-honoured tune in raga Madhyamavati, and is accompanied by an electric guitar and drums. Also featured in the video are three dancers, who do a mix of styles — southern folk-style head bobbing, Kathak swirls and Bollywood gyrations.</p>.<p>This is a cheeky take, while the ‘new age’ rendering posted on the IndianRaga channel is more orthodox in its approach. It has a Western beat and some synth accompaniment, but what is highlighted as lead accompaniment is a Karnatik-style flute. This video has 3.9 lakh views.</p>.<p>You will find scores of interesting renderings online, and if you want to hear it in the voice of one of the legends, you should look for M L Vasanthakumari on YouTube. It has one extra charana most people are not familiar with, and she swings the rhythm a bit, making it jauntier.</p>
<p>Bhagyada Lakshmi baaramma’ is one of the most popular Kannada compositions across the Karnatik music-performing states. It is Purandaradasa’s charming invocation to goddess Lakshmi, inviting her to dance into the homes of the devout, blessing them with daily festivity.</p>.<p>Pandit Bhimsen Joshi took up the 16th century composition and rendered it in the Hindustani style, changing the raga from Madhyamavati to Bibas, and singing it at a brisker pace.</p>.<p>This has become a concert standard on the Hindustani stage, catching the imagination of classical vocalists in Maharashtra as well. If you are a literalist, you might wonder how Bhimsen Joshi sings this in a morning raga when Lakshmi puja is performed in the evening. But then, what is music if it has no freedom to reimagine time?</p>.<p>Several musicians are now attempting ‘Bhagyada Lakshmi baaramma’ with Western accompaniments, giving it a ‘fusion’ colour. A recent rendering by Sushruth S A, posted on YouTube, has garnered 1.54 lakh views.</p>.<p>He sings it in the familiar, time-honoured tune in raga Madhyamavati, and is accompanied by an electric guitar and drums. Also featured in the video are three dancers, who do a mix of styles — southern folk-style head bobbing, Kathak swirls and Bollywood gyrations.</p>.<p>This is a cheeky take, while the ‘new age’ rendering posted on the IndianRaga channel is more orthodox in its approach. It has a Western beat and some synth accompaniment, but what is highlighted as lead accompaniment is a Karnatik-style flute. This video has 3.9 lakh views.</p>.<p>You will find scores of interesting renderings online, and if you want to hear it in the voice of one of the legends, you should look for M L Vasanthakumari on YouTube. It has one extra charana most people are not familiar with, and she swings the rhythm a bit, making it jauntier.</p>