<p>Mumbai: Indian movie-makers and producers need to focus on creating distribution channels in different countries to facilitate expansion of Indian film viewership, said veteran actor and filmmaker Aamir Khan.</p><p>Talking about the rich potential of Indian films, Aamir Khan emphasised on the crucial need to think global from the beginning.</p><p>Aamir Khan’s observations came during a panel discussion on ‘Studios of the Future: Putting India on World Studio Map’ during the World Audio Visual and Entertainment Summit (WAVES) at the Jio Convention Centre in Mumbai.</p><p>The session, moderated by film critic Mayank Shekhar brought together a stellar lineup of film industry stalwarts, including producer Ritesh Sidhwani, Namit Malhotra of Prime Focus Ltd, film producer Dinesh Vijan, PVR Cinemas’ Ajay Bijli, and renowned American producer Charles Roven.</p>.Covid-19 changed pattern of cinema consumption: Anupam Kher .<p>On the OTT debate, Aamir Khan pointed out how the narrow window between theatrical and OTT releases discourages theatre viewership.</p><p>Charles Roven, the producer of global blockbuster, Oppenheimer, emphasised on the enduring strength of theatrical cinema. He stated, “Despite the rise of TV and OTT platforms, the theatrical experience remains irreplaceable.”</p><p>Charles Roven advised Indian studios to shift from a domestic-only focus and to approach projects with international reach in mind.</p><p>Dinesh Vijan talked about the importance of authentic storytelling and collaborations with international studios. “It’s not just about budgets,” he said. “Smaller cities are more cinema-friendly. But to go global, we must focus on quality content and cross-border partnerships.”</p><p>Namit Malhotra spoke about the pivotal role of technology, particularly the use of AI, in enhancing storytelling and helping Indian talent reach global audiences.</p><p>Ritesh Sidhwani pointed out the expanding opportunities through OTT platforms.“OTT has given Indian content global visibility,” he noted. “It allows us to experiment with format and narrative.”</p><p>Ajay Bijli raised concerns about declining theatre footfalls post-Covid. He stressed the importance of managing release windows wisely to ensure monetisation through both theatrical and digital platforms.</p><p>Dinesh Vijan also emphasised that technology could help overcome language barriers through authentic lip-sync translations, enabling cultural specificity while reaching wider audiences.</p><p>The panel concluded with a discussion on how the government can support this transition. </p><p>At the WAVE summit, Aamir Khan said: “This is the first time I’ve seen a government taking such interest in our industry. WAVES is not just a dialogue—it’s a bridge to policy. It’s a promising start. I am sure our discussions will transform into policies,” the actor said.</p>
<p>Mumbai: Indian movie-makers and producers need to focus on creating distribution channels in different countries to facilitate expansion of Indian film viewership, said veteran actor and filmmaker Aamir Khan.</p><p>Talking about the rich potential of Indian films, Aamir Khan emphasised on the crucial need to think global from the beginning.</p><p>Aamir Khan’s observations came during a panel discussion on ‘Studios of the Future: Putting India on World Studio Map’ during the World Audio Visual and Entertainment Summit (WAVES) at the Jio Convention Centre in Mumbai.</p><p>The session, moderated by film critic Mayank Shekhar brought together a stellar lineup of film industry stalwarts, including producer Ritesh Sidhwani, Namit Malhotra of Prime Focus Ltd, film producer Dinesh Vijan, PVR Cinemas’ Ajay Bijli, and renowned American producer Charles Roven.</p>.Covid-19 changed pattern of cinema consumption: Anupam Kher .<p>On the OTT debate, Aamir Khan pointed out how the narrow window between theatrical and OTT releases discourages theatre viewership.</p><p>Charles Roven, the producer of global blockbuster, Oppenheimer, emphasised on the enduring strength of theatrical cinema. He stated, “Despite the rise of TV and OTT platforms, the theatrical experience remains irreplaceable.”</p><p>Charles Roven advised Indian studios to shift from a domestic-only focus and to approach projects with international reach in mind.</p><p>Dinesh Vijan talked about the importance of authentic storytelling and collaborations with international studios. “It’s not just about budgets,” he said. “Smaller cities are more cinema-friendly. But to go global, we must focus on quality content and cross-border partnerships.”</p><p>Namit Malhotra spoke about the pivotal role of technology, particularly the use of AI, in enhancing storytelling and helping Indian talent reach global audiences.</p><p>Ritesh Sidhwani pointed out the expanding opportunities through OTT platforms.“OTT has given Indian content global visibility,” he noted. “It allows us to experiment with format and narrative.”</p><p>Ajay Bijli raised concerns about declining theatre footfalls post-Covid. He stressed the importance of managing release windows wisely to ensure monetisation through both theatrical and digital platforms.</p><p>Dinesh Vijan also emphasised that technology could help overcome language barriers through authentic lip-sync translations, enabling cultural specificity while reaching wider audiences.</p><p>The panel concluded with a discussion on how the government can support this transition. </p><p>At the WAVE summit, Aamir Khan said: “This is the first time I’ve seen a government taking such interest in our industry. WAVES is not just a dialogue—it’s a bridge to policy. It’s a promising start. I am sure our discussions will transform into policies,” the actor said.</p>