<p>A balmy summer night, a lavish spread of drinks and food and a feast of classic Bollywood songs — the event lived up to its title of ‘Suhana Safar’.</p>.<p>As piano maestro Brian Silas rendered old tunes of legends like Khayyam, Salil Choudary, OP Nayyar, SD Burman and Laxmi Kant-Pyare Lal on his piano, the audience at Mysore Hall in ITC Gardenia nodded their heads appreciatively and applauded enthusiastically.</p>.<p>The event was the latest edition of WelcomArt, in keeping with ITC’s philosophy of ‘Responsible Luxury’.</p>.<p>Brian Silas is no stranger to applause; he is a pioneer of the unique format of playing Hindi songs on the piano, a traditionally western instrument. </p>.<p>Numerous national and international concerts, 20 albums and widespread acclaim mark his two-decade-long career. Rajitha Menon finds out more...</p>.<h4>We heard you weren’t very keen on taking music as a profession...</h4>.<p>I wouldn’t say I wasn’t keen as that was no age to decide the future. I was very musical from childhood; I hail from a musical family. I could play most of the instruments on which I lay my hands on but I never had the patience to learn the right technique or notations.</p>.<p>Somehow I feel that if you read music and play, you can’t get the feel of it. </p>.<h4>When did you decide to play Hindi songs on the piano?</h4>.<p>When I was around 35 years old (I had left my corporate job then), I just sat down at the piano after a long time. A Hindi song was playing on ‘Chitrahar’. I tried playing it and it came out so nicely. That was when I decided to play only Hindi music on the piano. It’s been more than 25 years now and I have not received a negative response from anyone. </p>.<h4>How do you select which songs to play on the piano?</h4>.<p>There is so much treasure out there; all these masters have composed and sung such beautiful songs. Generally the selection of the song is done by my wife and we have never gone wrong. </p>.<h4>Do you play newer songs also?</h4>.<p>I do play some new songs but I feel that the quality of music produced today has gone down a lot. The shelf life is not more than 2-3 months for any song, no matter how popular it becomes. But these songs, which I am playing 50 years after they were released, still get the same response every time.</p>.<p>I played at ITC Maurya in Delhi for 18 years. The same people would give me requests every single day; there was no monotony. It’s amazing how people can never tire of good music.</p>.<h4>Weren’t there limited venues for you at that time?</h4>.<p>There were always people who wanted to listen to the piano and were willing to pay for it too. We did our bit; I once hired a piano from Delhi and carried it all the way to Pune for a programme. </p>.<h4>Do you change the chords or rhythm structure of any song when you play it?</h4>.<p>I change the pace of the song sometimes to suit the mood of the occasion.</p>.<h4>Any challenges?</h4>.<p>None so far. There was no pressure to match up to anyone as nobody played Indian music on the piano before this. My students are now continuing my tradition. </p>.<h4>Have you tried any other instrument?</h4>.<p>I have but I am not comfortable on a synthesizer or other such instruments. They have come up with beautiful computerised instruments which can replicate the sound but the feel of the piano is missing.</p>.<h4>Do you have a favourite song?</h4>.<p>How can I point out one song? There are more than 5,000 songs embedded in my mind and all of them are my favourites.</p>.<p>This is one thing which I never compromise. I play only what I like. </p>.<h4>Thoughts about Bengaluru?</h4>.<p>I don’t know much about the city. But my wife has been here many times and she loves the place. She knows all the good shopping places in the city. </p>
<p>A balmy summer night, a lavish spread of drinks and food and a feast of classic Bollywood songs — the event lived up to its title of ‘Suhana Safar’.</p>.<p>As piano maestro Brian Silas rendered old tunes of legends like Khayyam, Salil Choudary, OP Nayyar, SD Burman and Laxmi Kant-Pyare Lal on his piano, the audience at Mysore Hall in ITC Gardenia nodded their heads appreciatively and applauded enthusiastically.</p>.<p>The event was the latest edition of WelcomArt, in keeping with ITC’s philosophy of ‘Responsible Luxury’.</p>.<p>Brian Silas is no stranger to applause; he is a pioneer of the unique format of playing Hindi songs on the piano, a traditionally western instrument. </p>.<p>Numerous national and international concerts, 20 albums and widespread acclaim mark his two-decade-long career. Rajitha Menon finds out more...</p>.<h4>We heard you weren’t very keen on taking music as a profession...</h4>.<p>I wouldn’t say I wasn’t keen as that was no age to decide the future. I was very musical from childhood; I hail from a musical family. I could play most of the instruments on which I lay my hands on but I never had the patience to learn the right technique or notations.</p>.<p>Somehow I feel that if you read music and play, you can’t get the feel of it. </p>.<h4>When did you decide to play Hindi songs on the piano?</h4>.<p>When I was around 35 years old (I had left my corporate job then), I just sat down at the piano after a long time. A Hindi song was playing on ‘Chitrahar’. I tried playing it and it came out so nicely. That was when I decided to play only Hindi music on the piano. It’s been more than 25 years now and I have not received a negative response from anyone. </p>.<h4>How do you select which songs to play on the piano?</h4>.<p>There is so much treasure out there; all these masters have composed and sung such beautiful songs. Generally the selection of the song is done by my wife and we have never gone wrong. </p>.<h4>Do you play newer songs also?</h4>.<p>I do play some new songs but I feel that the quality of music produced today has gone down a lot. The shelf life is not more than 2-3 months for any song, no matter how popular it becomes. But these songs, which I am playing 50 years after they were released, still get the same response every time.</p>.<p>I played at ITC Maurya in Delhi for 18 years. The same people would give me requests every single day; there was no monotony. It’s amazing how people can never tire of good music.</p>.<h4>Weren’t there limited venues for you at that time?</h4>.<p>There were always people who wanted to listen to the piano and were willing to pay for it too. We did our bit; I once hired a piano from Delhi and carried it all the way to Pune for a programme. </p>.<h4>Do you change the chords or rhythm structure of any song when you play it?</h4>.<p>I change the pace of the song sometimes to suit the mood of the occasion.</p>.<h4>Any challenges?</h4>.<p>None so far. There was no pressure to match up to anyone as nobody played Indian music on the piano before this. My students are now continuing my tradition. </p>.<h4>Have you tried any other instrument?</h4>.<p>I have but I am not comfortable on a synthesizer or other such instruments. They have come up with beautiful computerised instruments which can replicate the sound but the feel of the piano is missing.</p>.<h4>Do you have a favourite song?</h4>.<p>How can I point out one song? There are more than 5,000 songs embedded in my mind and all of them are my favourites.</p>.<p>This is one thing which I never compromise. I play only what I like. </p>.<h4>Thoughts about Bengaluru?</h4>.<p>I don’t know much about the city. But my wife has been here many times and she loves the place. She knows all the good shopping places in the city. </p>