<p>Although the race for placement at most management colleges in the City might suggest otherwise, there is still a section of young professionals who have determinedly turned their backs on the corporate world. Evidently, the nine-to-five routine of deadlines, appraisals and presentations isn’t something that appeals to them. <br /><br /></p>.<p>Despite the fact that most of them understand that compensation outside the <br />corporate arena is generally much lower, they have realigned their priorities and made a conscious attempt to follow their area of interest. <br /><br />The reasons for this decision are numerous. For instance, Sudhir Selvaraj, a member of the Renegade Arts and Theatre Society, decided to steer clear of corporate life because he felt it wouldn’t suit his method of working. <br /><br />“As someone who gets the job done always, I enjoy a high level of flexibility that allows me time to do the things I love around the people I love. Hence, I see a corporate life <br />as one which would never provide that flexibility to be me. It would instead actually stifle my creativity. I have never worked in a corporate firm,” he explains.<br /><br />For others, it is simply a matter of following a passion. Maliha Ibrahim, also a theatre enthusiast, worked in a corporate set-up for a period before deciding it wasn’t her cup of tea. She says, “Theatre was an area I was quite involved with from a young age, through school plays that eventually led to a few productions with theatre groups. I wanted to also integrate my passion for psychology and theatre in working with people <br />therapeutically,” she explains.<br /><br />She goes on to add that her short stint in the corporate arena actually helped her in terms of understanding what she really wanted to do. <br /><br />“I worked in a corporate set-up for a year and although this functioned smoothly and I learned about running a business, it did not seem to lead me to some of my personal dreams. I found myself slowly making my hobbies my mainstay interests, which resulted in the switch,” she says.<br /><br />Switching was anything but easy, though. “Theatre is indeed a career that is low-paying,” admits Maliha. She adds, “There were other challenges — building a network within a field without relying on a corporate company data base can be daunting.”However, Sudhir is of a different opinion. He believes that most creative fields do have scope to earn, although not on the scale that a corporate job allows. <br /><br />“The performing arts space can be relatively financially rewarding — if you are good at what you do. There is a ton of potential to teach, perform and write, which all provide income,” he explains.<br /><br />The other problem that youngsters face when they’re planning on leaving a corporate firm is external pressure. Vishal, a photographer who quit a lucrative banking job a while back, says, “There were a lot of eyebrows raised at the time, considering that jobs were hard to come by when I quit. But there was never a question of not doing it. Besides, the question of money is subjective. It’s never enough. So that never affected my decision.”<br />What really spurs these professionals to making the shift is that they now understand they aren’t alone. While Vishal says that around a third of his immediate colleagues quit when he did, Sudhir goes on to add that at a certain point, any employee begins to question their motives for sticking to a particular job. <br /><br />“I am not one to question people’s choices of career as I hope nobody questions mine. I feel that if you don’t love what you are doing, it’s not worth doing. Slowly, people are beginning to see things this way. This is a great trend and I feel it will bring about a cultural and intellectual renaissance in the City,” he concludes.<br /></p>
<p>Although the race for placement at most management colleges in the City might suggest otherwise, there is still a section of young professionals who have determinedly turned their backs on the corporate world. Evidently, the nine-to-five routine of deadlines, appraisals and presentations isn’t something that appeals to them. <br /><br /></p>.<p>Despite the fact that most of them understand that compensation outside the <br />corporate arena is generally much lower, they have realigned their priorities and made a conscious attempt to follow their area of interest. <br /><br />The reasons for this decision are numerous. For instance, Sudhir Selvaraj, a member of the Renegade Arts and Theatre Society, decided to steer clear of corporate life because he felt it wouldn’t suit his method of working. <br /><br />“As someone who gets the job done always, I enjoy a high level of flexibility that allows me time to do the things I love around the people I love. Hence, I see a corporate life <br />as one which would never provide that flexibility to be me. It would instead actually stifle my creativity. I have never worked in a corporate firm,” he explains.<br /><br />For others, it is simply a matter of following a passion. Maliha Ibrahim, also a theatre enthusiast, worked in a corporate set-up for a period before deciding it wasn’t her cup of tea. She says, “Theatre was an area I was quite involved with from a young age, through school plays that eventually led to a few productions with theatre groups. I wanted to also integrate my passion for psychology and theatre in working with people <br />therapeutically,” she explains.<br /><br />She goes on to add that her short stint in the corporate arena actually helped her in terms of understanding what she really wanted to do. <br /><br />“I worked in a corporate set-up for a year and although this functioned smoothly and I learned about running a business, it did not seem to lead me to some of my personal dreams. I found myself slowly making my hobbies my mainstay interests, which resulted in the switch,” she says.<br /><br />Switching was anything but easy, though. “Theatre is indeed a career that is low-paying,” admits Maliha. She adds, “There were other challenges — building a network within a field without relying on a corporate company data base can be daunting.”However, Sudhir is of a different opinion. He believes that most creative fields do have scope to earn, although not on the scale that a corporate job allows. <br /><br />“The performing arts space can be relatively financially rewarding — if you are good at what you do. There is a ton of potential to teach, perform and write, which all provide income,” he explains.<br /><br />The other problem that youngsters face when they’re planning on leaving a corporate firm is external pressure. Vishal, a photographer who quit a lucrative banking job a while back, says, “There were a lot of eyebrows raised at the time, considering that jobs were hard to come by when I quit. But there was never a question of not doing it. Besides, the question of money is subjective. It’s never enough. So that never affected my decision.”<br />What really spurs these professionals to making the shift is that they now understand they aren’t alone. While Vishal says that around a third of his immediate colleagues quit when he did, Sudhir goes on to add that at a certain point, any employee begins to question their motives for sticking to a particular job. <br /><br />“I am not one to question people’s choices of career as I hope nobody questions mine. I feel that if you don’t love what you are doing, it’s not worth doing. Slowly, people are beginning to see things this way. This is a great trend and I feel it will bring about a cultural and intellectual renaissance in the City,” he concludes.<br /></p>