<p>Bengaluru: Cinephiles were welcomed with the restored version of film auteur G Aravindan’s <em>Thampu</em> (<em>The Circus Tent</em>) on the second day of the Bengaluru International Film Festival (BIFFes) here. There were definitely no Monday morning blues for those attending the festival at Orion Mall. </p><p>Restored by Film Heritage Foundation (FHF), Mumbai, the 1978 film looked fresh and was a treat on the big screen.</p><p>The 4K restoration of <em>Thampu</em> took a tedious eight months, Shivendra Singh Dungarpur, the director and the brain behind FHF had once mentioned in an interview.</p><p>The restoration took place at Prasad Studios, Chennai and Cineteca di Bologna, Italy. It was a collective effort between FHF, Prasad Corporation and Martin Scorsese’s World Cinema Project.</p><p>The Malayalam film was digitally cleaned and repaired before premiering at the Cannes Film Festival, 2022. </p><p>“<em>Thampu</em> is an important film in Indian new wave cinema. Very few have watched it on the big screen. The restoration work is clearly very good and it was a great experience. It was good to watch a restored print instead of the bad print that was available,” said film academician and writer Basav Biradar. </p><p>Similarly, Aribam Syam Sharma’s Manipuri film <em>Ishanou</em> (1990), Nirad Mohapatra’s Odia film <em>Maya Miriga</em> (1984), Aravindan’s <em>Kummatty</em> (1979) and Girish Kasaravalli’s Kannada film <em>Ghatashraddha</em> (1977) were restored by FHF and will be screened at the festival. </p><p>Also screening is M S Sathyu’s 1974 film <em>Garm Hava</em>, restored in 2014 by Filmlab in Mumbai and Deluxe Laboratories in Los Angeles. </p> .BIFFes 2025: Shooting abroad is cheaper, says ‘Location Guru’ Natarajan Ramji.<p><strong>Kannada Cinema Day</strong></p><p>BIFFes every year, on March 3, celebrates World Kannada Cinema Day. The first Kannada talkie film <em>Sati Sulochana</em> was released on this day in 1934. It was directed by Y V Rao and written by Bellave Narahari Shastri. Actor Tripuramba played Sulochana and M V Subbaiah Naidu played her husband and son of Ravana, Indrajit. </p><p>Lakshminarayana Shastri and Madhukar Rao, grandchildren of Narahari Shastri and Y V Rao, were present at the event and spoke about their grandfathers.</p><p>Senior journalist Gangadhar Mudaliar said, “When we speak about the legendary actor, we usually talk about his role in <em>Sati Sulochana.</em> It is equally important to talk about Naidu’s portrayals in <em>Bhakta Prahlada</em> and <em>Vasantasena</em>.”</p><p>Actor Srujan Lokesh, Subbaiah Naidu’s grandson, expressed his displeasure about how his grandfather and the film was remembered only on March 3 every year.</p><p>“What are we as a society giving back to Naidu’s contribution? Have we made a memorial for him or named a road after him?,” he said.</p><p>Festival ambassador Kishore Kumar G, speaking on the occasion, quoted Babasaheb Ambedkar and said, “It is not possible to make history, if we forget history.”</p><p>“There is a lot to learn from history. Having said that, we cannot be just emotional about the past, we must also address the questions posing the film industry today,” he said. </p><p>Kishore also spoke about the many children and women being killed in Gaza and said, “About 90 years ago, we made a film (<em>Sati Sulochana</em>), about a woman’s perspective on war. We have still remained as a patriarchal society, but I feel very proud that a film like this was made back then.”</p><p>Kishore released five books on Kannada Cinema published by Karnataka Chalanachitra Academy. <em>Karnad Kaleidoscope</em> by senior journalist Muralidhar Khajane, <em>Kannada Chitrarangada Nagavinyasa</em> by N S Sridhar Murthy, <em>Kannada Cinema Janapada Haadi</em> by A N Prahlad Rao, <em>Kannada Cinema Pouranika Vaibhava</em> by D D P Satish Chandra and <em>Kannada Cinema - Aitihasika Nelegattu</em> by J M Prahlad. </p>
<p>Bengaluru: Cinephiles were welcomed with the restored version of film auteur G Aravindan’s <em>Thampu</em> (<em>The Circus Tent</em>) on the second day of the Bengaluru International Film Festival (BIFFes) here. There were definitely no Monday morning blues for those attending the festival at Orion Mall. </p><p>Restored by Film Heritage Foundation (FHF), Mumbai, the 1978 film looked fresh and was a treat on the big screen.</p><p>The 4K restoration of <em>Thampu</em> took a tedious eight months, Shivendra Singh Dungarpur, the director and the brain behind FHF had once mentioned in an interview.</p><p>The restoration took place at Prasad Studios, Chennai and Cineteca di Bologna, Italy. It was a collective effort between FHF, Prasad Corporation and Martin Scorsese’s World Cinema Project.</p><p>The Malayalam film was digitally cleaned and repaired before premiering at the Cannes Film Festival, 2022. </p><p>“<em>Thampu</em> is an important film in Indian new wave cinema. Very few have watched it on the big screen. The restoration work is clearly very good and it was a great experience. It was good to watch a restored print instead of the bad print that was available,” said film academician and writer Basav Biradar. </p><p>Similarly, Aribam Syam Sharma’s Manipuri film <em>Ishanou</em> (1990), Nirad Mohapatra’s Odia film <em>Maya Miriga</em> (1984), Aravindan’s <em>Kummatty</em> (1979) and Girish Kasaravalli’s Kannada film <em>Ghatashraddha</em> (1977) were restored by FHF and will be screened at the festival. </p><p>Also screening is M S Sathyu’s 1974 film <em>Garm Hava</em>, restored in 2014 by Filmlab in Mumbai and Deluxe Laboratories in Los Angeles. </p> .BIFFes 2025: Shooting abroad is cheaper, says ‘Location Guru’ Natarajan Ramji.<p><strong>Kannada Cinema Day</strong></p><p>BIFFes every year, on March 3, celebrates World Kannada Cinema Day. The first Kannada talkie film <em>Sati Sulochana</em> was released on this day in 1934. It was directed by Y V Rao and written by Bellave Narahari Shastri. Actor Tripuramba played Sulochana and M V Subbaiah Naidu played her husband and son of Ravana, Indrajit. </p><p>Lakshminarayana Shastri and Madhukar Rao, grandchildren of Narahari Shastri and Y V Rao, were present at the event and spoke about their grandfathers.</p><p>Senior journalist Gangadhar Mudaliar said, “When we speak about the legendary actor, we usually talk about his role in <em>Sati Sulochana.</em> It is equally important to talk about Naidu’s portrayals in <em>Bhakta Prahlada</em> and <em>Vasantasena</em>.”</p><p>Actor Srujan Lokesh, Subbaiah Naidu’s grandson, expressed his displeasure about how his grandfather and the film was remembered only on March 3 every year.</p><p>“What are we as a society giving back to Naidu’s contribution? Have we made a memorial for him or named a road after him?,” he said.</p><p>Festival ambassador Kishore Kumar G, speaking on the occasion, quoted Babasaheb Ambedkar and said, “It is not possible to make history, if we forget history.”</p><p>“There is a lot to learn from history. Having said that, we cannot be just emotional about the past, we must also address the questions posing the film industry today,” he said. </p><p>Kishore also spoke about the many children and women being killed in Gaza and said, “About 90 years ago, we made a film (<em>Sati Sulochana</em>), about a woman’s perspective on war. We have still remained as a patriarchal society, but I feel very proud that a film like this was made back then.”</p><p>Kishore released five books on Kannada Cinema published by Karnataka Chalanachitra Academy. <em>Karnad Kaleidoscope</em> by senior journalist Muralidhar Khajane, <em>Kannada Chitrarangada Nagavinyasa</em> by N S Sridhar Murthy, <em>Kannada Cinema Janapada Haadi</em> by A N Prahlad Rao, <em>Kannada Cinema Pouranika Vaibhava</em> by D D P Satish Chandra and <em>Kannada Cinema - Aitihasika Nelegattu</em> by J M Prahlad. </p>