National Museum creates friendly environment for differently abled

For the first time in the 55 years since the National Museum opened its doors to people, tactile paths have been laid and tactile objects displayed for an ongoing exhibition to create a better environment for the visually impaired.

The pilot project also aims at a better understanding of how to make the museum accessible to persons with disabilities.For the “Cadence And Counterpoint: Documenting Santhal Musical Tradition” exhibition, the museum has laid yellow and black tactile mats on the floor that serve different purposes.

“The surface of yellow mat is softer than the black one which indicates that you have to walk till you reach the harder surface. This surface is to indicate that you have to stop and listen to the audio guide, or touch a tactile object,” Joyoti Roy, projects
coordinator (Museums and Archives) at National Museum, told IANS.

Tactile paving, also known as truncated domes, is a system of textured ground surface to assist people who are blind or visually impaired.

The team for this project has created audio guides that come with the skip facility.
“This part is important because we are giving them a choice to explore the
exhibition at their own will,” said Roy.

The exhibition comprising musical instruments throws light on the rich Santhal musical tradition, for which the museum has tied up with Saksham, a trust that works for the marginalised sections, which has produced the audio guide and a Braille instruction guide to direct them about pit stops during the walk.

Activists fighting for disabled rights have often said that India has not been able to create a friendly infrastructure for the differently abled in public spaces and they, thus, face inequality in their daily lives and are often deprived of access to culture and arts institutions.

Except for Mumbai’s Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, which offers wheelchairs, information in Braille and elevators for the differently abled, no other museum in India has facilities that could cater to the needs of such people.
This exclusion makes them more introvert and often restricts their movement within the public spaces.

However, some of the reno-w­ned art institutions in the West like Spain’s Prado Museum, The US Metropolitan Museum of Art and several museums in Hong Kong offer facilities to differently-abled people to ensure they are included in everyday activities.

For instance, the Prado Museum opened an exhibition ‘Touching the Prado’ for the visually impaired in March and encouraged them to touch the artworks.

They exhibited six works of art in 3-D of painters like Leo­nardo Da Vinci, El Greco and Francisco Goya.

Apart from this, the Mad­rid-based gallery also has a tactile gallery for blind visi­­-
tors, that includes guided tours, tactile maps and touch workshops.

The Metropolitan offers designated parking, sign language interpretation and lar­ge prints to make its services accessible to all audiences. Ma­ny museums in Hong Ko­ng offer elevators to go to the exhibition galleries, toilets for wheelchair users and step-free access for wheelcha­ir users at all levels, among others.

“The physical disability of a person shouldn't be an obstacle when it comes to accessing public art institutions. We should be moving towards an inclusion policy where the differently-abled get a choice to do what they want at a time convenient to them,” says Vijay Raghavan, Unes­co’s programme assistant for culture.

By “convenient time” what Raghavan meant was that some museums offer guided tours for disabled only during a particular time of the day.

“What if he wants to go with the family,” asked Raghavan, emphasising on why “inclusion” is important to reduce discrimination against the disabled.

By the end of this year, the National Museum aims to create a separate disabled-friendly gallery, while the first-pha­se of coordinating among dif­-f­erent in-house departments and artworks to be displayed has already been done.

“We hope to make the entire museum accessible to differently-abled, but the pro­cess will take some time as various infrastructure cha­n­ges are to be carried out. So the proposed gallery is one step to bring ardent art lovers to the gallery, without giving them any excuse to think twice,” Roy concluded.

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