Rare prints from Tipu Sultan era acquired by city-based collector

A city-based art collector, Sunil Baboo, has recently acquired two rare prints of paintings from Tipu Sultan’s era. They capture significant moments in the history of the erstwhile Kingdom of Mysore. 

One print depicts Tipu’s two sons being taken hostage by Lord Charles Cornwallis, after the third Anglo-Mysore war in February 1792, and the other is a portrayal of their return to their mother. 

History has it that Cornwallis laid out severe conditions Tipu had to adhere to in the Treaty of Seringapatam. He demanded that Tipu hand over his sons to British custody, until the king carried out all the demands he had agreed upon. 

“While there are multiple artworks depicting the moment of surrender, it is rare to come across one capturing the sons being returned to Tipu’s wife,” says 65-year-old Baboo, who has been collecting historic books, maps, aquatints and documents since 1982. 

The creator of the paintings is unknown, but they were turned into prints in 1796 by publisher Haines. This was even before the defeat and death of Tipu during the fourth Anglo-Mysore war in 1799. “Many of these artists never set foot in India. They created these images based on what was described to them. While there was an artistic bent to them, it was more a way for them to document important events,” Baboo explains. Many of these prints were originally etchings and engravings that were coloured by hand, adds the Gangenahalli resident.

He learnt of the prints a few months ago, and was able to edge out some of the biggest auction houses like Bonhams, UK. “They were planning to auction them in June 2024, but I was able to procure them through my contacts,” he explains. Over the years, Baboo has built a wide network of collectors and auction houses that tip him off on new discoveries. Most of this category of prints are found in family collections of descendants of French and British soldiers of the colonial period. 

The prints, once discovered, are restored and framed. Baboo’s 16x14-inch prints came with a lot of archival tape and paper at the back of the frame. “Presumably to reinforce them. They can be kept in this condition for a long time,” he says.