<p>Under the guidance of Guru Minal Prabhu, the Mudrika Ensemble presented a fascinating <em>Bharatanatyam</em> recital called Maargam at the Seva Sadan recently.<br /><br />With much confidence, the performers — Anant, Ponnamma, Vasudha, Janani and Supriya began the programme with <em>Pushpanjali</em> in <em>Ragam Nagaswaravali </em>and <em>Talam Adi</em>.<br /> <br />Interestingly, each of the recitals were choreographed as a solo item but the students wove them into group dances and presented them with good co-ordination. <br />This was followed by <em>Ganesha Stuti</em> in <em>Ragam Chakravakam</em> and <em>Talam Adi</em>. This recital brought out the personality of the dancers. <br /><br />The <em>Keertanai</em> in <em>Ragam Amritavarshini</em> and <em>Talam Adi</em>, was a sheer delight. Ponnamma explained that though this dance form faces a lot of pressure, that of losing its traditional form, she aims to preserve it in its purest manner. <br /><br />The<em> Varnam</em> in <em>Ragam Karaharapriya</em> and <em>Talam Adi</em>, a very popular recital of the <em>Maargam</em>, had three of its promising students — Vasudha, Janani and Supriya performing. <br /><br />Full of expressions and graceful movements, they did complete justice to the recital. <br />This was then followed by <em>Padam </em>in<em> Ragam Maanji, Jaavali</em> in<em> Ragam Behag</em>, <em>Keertanai</em>’in <em>Ragamalika</em>, concluding with <em>Tillana</em> in <em>Ragam Sri Ranjini</em>. <br /><br />The evening also saw the felicitation of Vasant Vedam, the chief guest of the evening and U A Vasant Rao, the Deputy Commissioner Resources, BBMP, who was the guest of honour.<br /> <br />On the whole, the evening provided a great visual and vocal treat to all present.</p>
<p>Under the guidance of Guru Minal Prabhu, the Mudrika Ensemble presented a fascinating <em>Bharatanatyam</em> recital called Maargam at the Seva Sadan recently.<br /><br />With much confidence, the performers — Anant, Ponnamma, Vasudha, Janani and Supriya began the programme with <em>Pushpanjali</em> in <em>Ragam Nagaswaravali </em>and <em>Talam Adi</em>.<br /> <br />Interestingly, each of the recitals were choreographed as a solo item but the students wove them into group dances and presented them with good co-ordination. <br />This was followed by <em>Ganesha Stuti</em> in <em>Ragam Chakravakam</em> and <em>Talam Adi</em>. This recital brought out the personality of the dancers. <br /><br />The <em>Keertanai</em> in <em>Ragam Amritavarshini</em> and <em>Talam Adi</em>, was a sheer delight. Ponnamma explained that though this dance form faces a lot of pressure, that of losing its traditional form, she aims to preserve it in its purest manner. <br /><br />The<em> Varnam</em> in <em>Ragam Karaharapriya</em> and <em>Talam Adi</em>, a very popular recital of the <em>Maargam</em>, had three of its promising students — Vasudha, Janani and Supriya performing. <br /><br />Full of expressions and graceful movements, they did complete justice to the recital. <br />This was then followed by <em>Padam </em>in<em> Ragam Maanji, Jaavali</em> in<em> Ragam Behag</em>, <em>Keertanai</em>’in <em>Ragamalika</em>, concluding with <em>Tillana</em> in <em>Ragam Sri Ranjini</em>. <br /><br />The evening also saw the felicitation of Vasant Vedam, the chief guest of the evening and U A Vasant Rao, the Deputy Commissioner Resources, BBMP, who was the guest of honour.<br /> <br />On the whole, the evening provided a great visual and vocal treat to all present.</p>