All about a voyeur capital

It’s a film that proves how India has become the voyeur capital of the modern world; how mobile phones and webcams have changed our lives forever.

How exhibitionism is an acceptable part of the Indian youth’s life. Set in new India, LSD captures the lives of six characters through the chaos of the camera that has invaded our lives.

The film caters to that voyeuristic desire amongst us which constantly pushes the boundaries of curiosity to ‘excavate’ information about others — candidly.

It also uncovers some uncomfortable truths about the media and entertainment industry.
LSD takes us into the heart of three stories unfolding across and weaving through each other — contemporary, unusual and real tales of love.

Shot with the most unique camera equipment and lighting techniques and aspiring to exploit the digital cinema wave to the fullest, LSD is India’s premiere digital film.
Directed by Dibakar Banerjee and produced by Alt Entertainment; the film boasts of a fresh starcast to showcase its unique visual flavour.

The film falls in the genre of some extremely successful films such as Blair Witch Project  and the recent phenomenon, Paranormal Activity. What makes LSD even more unique is the fact that for the first time such visual treatment has been given to a film in India.

Dibakar’s award-winning crew is back in LSD as well. Writer Manu Rishi, music composer
Sneha Khanwalkar who gave music to the much-loved and successful films like Khosla Ka Ghosla and Oye Lucky, Lucky Oye, costume designers Rushi and Manoshi have all added to the ‘edgy’ factor of the film.

Award-winning international cinematographer Nikos has provided the visual appeal to the film.