<p>The curtain opened to a huge applause as maestros U Srinivas, the mandolin prodigy, and Shahid Parvez Khan, the eminent sitarist entered the stage. They wereaccompanied by veteran tabla player Yogesh Samsi and V Praveen on the mridangam.<br /><br /></p>.<p>The jugalbandi of the two maestros was a unique opportunity for the classical music lovers of the City — and the number of people at Chowdiah Memorial Hall said it all. <br />The programme started with an alaap from the respective artistes, who passed on the buck to each other with a polite smile. <br /><br />As both of them nodded in appreciation of each other’s creative genius, the music lovers sat mesmerised, waiting and wanting more.<br /><br />“I had to literally pinch myself to believe that I was seeing both Shahid Parvez Khan and U Srinivas together on one stage. I did not want to miss such an opportunity and made sure that my children were here to see such a terrific performance as well,” says T Nagraj, who had come for the performance. As their fingers strummed magic, the audience could not help but applaud and express their appreciation of the maestros. <br /><br />“What made this performance more special was the <br />on-stage camaraderie of the two gurus. There was no <br />rush to outdo one another and both of them gave space for the other to perform. <br /><br />It was a pleasure to see them perform,” adds Smita, also a member of the <br />audience. The one-and-a-half-hour-long performance had no breaks and the audience had nothing to complain about. <br /><br />While the beginning was smooth and slow-paced, the end was faster and full of complex notes, with the gayaki component of the artiste being pronounced. <br />Fused with mridangam and tabla, the outcome was music in its purest form. <br /><br />Both the artistes showcased their individual style and gharana. Shahid Khan emphasised on the mirs, harkats and the taans and U Srinivas was eloquent with his strumming of the mandolin as he blended each note into the other. <br /><br />“Khan’s sheer brilliance with the sitar is simply breathtaking. His gharana gives a lot of scope for gayaki and laykari, which is not only interesting to hear but also difficult to perform. He also improvises a lot. The South Indian audience has seen U Srinivas perform a lot of times, but we are getting to see Khan after a long time,” notes Vaidyanathan Hegde, who had come to watch the show. <br /></p>
<p>The curtain opened to a huge applause as maestros U Srinivas, the mandolin prodigy, and Shahid Parvez Khan, the eminent sitarist entered the stage. They wereaccompanied by veteran tabla player Yogesh Samsi and V Praveen on the mridangam.<br /><br /></p>.<p>The jugalbandi of the two maestros was a unique opportunity for the classical music lovers of the City — and the number of people at Chowdiah Memorial Hall said it all. <br />The programme started with an alaap from the respective artistes, who passed on the buck to each other with a polite smile. <br /><br />As both of them nodded in appreciation of each other’s creative genius, the music lovers sat mesmerised, waiting and wanting more.<br /><br />“I had to literally pinch myself to believe that I was seeing both Shahid Parvez Khan and U Srinivas together on one stage. I did not want to miss such an opportunity and made sure that my children were here to see such a terrific performance as well,” says T Nagraj, who had come for the performance. As their fingers strummed magic, the audience could not help but applaud and express their appreciation of the maestros. <br /><br />“What made this performance more special was the <br />on-stage camaraderie of the two gurus. There was no <br />rush to outdo one another and both of them gave space for the other to perform. <br /><br />It was a pleasure to see them perform,” adds Smita, also a member of the <br />audience. The one-and-a-half-hour-long performance had no breaks and the audience had nothing to complain about. <br /><br />While the beginning was smooth and slow-paced, the end was faster and full of complex notes, with the gayaki component of the artiste being pronounced. <br />Fused with mridangam and tabla, the outcome was music in its purest form. <br /><br />Both the artistes showcased their individual style and gharana. Shahid Khan emphasised on the mirs, harkats and the taans and U Srinivas was eloquent with his strumming of the mandolin as he blended each note into the other. <br /><br />“Khan’s sheer brilliance with the sitar is simply breathtaking. His gharana gives a lot of scope for gayaki and laykari, which is not only interesting to hear but also difficult to perform. He also improvises a lot. The South Indian audience has seen U Srinivas perform a lot of times, but we are getting to see Khan after a long time,” notes Vaidyanathan Hegde, who had come to watch the show. <br /></p>