<p>It is a new way of approaching music. ‘Filter Coffee’ is an Indian Ethnotronic collaborative effort brought to life by tabla player and percussionist Swarupa Ananth-Sawkar and flautist Shriram Sampath.<br /><br /></p>.<p> Their live performances feature a range of guest artistes across genres providing a new look at Hindustani classical music as they combine traditional tabla, flute and vocals with hypnotic electronic grooves and textured sounds. <br /><br />Swarupa, who plays a whole gamut of percussion instruments like djembe, darbuka, cajon, dhol, etc says, “My entire life is within music and without music there is no life. Cliché but true.” <br /><br />New dimensions<br /><br />Shriram, the other lead member of the group says, “We prefer to call this a global collaborative, its USP — featuring a new artiste every time and of bringing a different dimension.” Explaining the origin of the term ethnotronic, he adds, “We were playing at a club in London last year and the promoter who made the poster called us Ethnotronic. It stands for crossover — Indian ethnic and electronic music.”<br /><br />But why the intriguing name Filter Coffee? Swarupa says, “Flyod Maxell says coffee is a creative fluid, which is incredibly true for me. Coffee inspires me in its own way. I had been working on this music for a long time and when the time came to give it a name, there wasn’t anything fresher and better sounding than Filter Coffee for a band name. And Filter Coffee is an acceptable addiction from the place where I come from, South India.”<br /><br />Jahnvi Shrimankar, the slim and svelte vocalist of the group with an amazingly versatile repertoire, says, “I got to know both Shriram and Swarupa separately. I was keen on working together, and Filter Coffee had been looking for vocalists to feature in their gigs. <br /><br />That’s how I started performing with them.” She adds, “When it comes to music, money is not my top priority. For an artiste, it’s more important to experience creative fulfillment. Filter Coffee’s music was that for me.” Jahnvi brings in her inimitable vocal style with bandishes and alaaps to the songs created by Filter Coffee. <br /><br />There is a fourth member who conceives and executes the visuals for their live concerts. She functions as the official visual jockey for the group when they are touring. Multi-talented Shreya Naik aka Plan B takes the audience through a spectacular visual journey with Filter Coffee. <br /><br />She runs two start-ups, Dream Makers and Artsy Fartsy Co that handle music and arts respectively. Artiste management, music curating and talent scouting are conducted under Dream Makers and art- related activities are done by Artsy Fartsy. “My company sells art products by upcoming doodlers and artists and I design and conceptualise public art projects. These installations involve people to complete them,” Shreya says.<br /><br /> She, however, does not visualise any particular set of images for the music numbers. “Most of it happens on the fly while they are performing and I allow my imagination to go wild with each item played. Visuals add a different dimension to the performance.”<br />Though Filter Coffee is only six years old, it has performed at Brunswick and Sussex in the UK, Malaysia, Indonesia, UK and India. It is one of the few bands in the country to have played festival stages internationally this year. <br /> <br />A different take<br /><br />Jahnvi’s “Slowdown Kalandar” is a low-key, subtle and soulful number. Was this by design? Shriram says, “Slowdown Kalandar and some other numbers are a little more mellowed than other songs but this happened without any conscious effort.” These songs are strongly influenced by classical raagas.<br /><br /> He wrote a new arrangement for “Slowdown Kalandar” and it is easily one of the most popular cover songs in their repertoire. “While the traditional Mast Kalandar is driven by energy and tempo, I wanted to slow it down, add some textures, sit back and see if it still sounded as magical as did the original.”<br /><br />Asked about audience response to their kind of music, Swarupa says, “The best part about our audience is that we’ve played to all age groups. In the beginning, we were sceptical about how the older generation would accept Indian classical with a twist of electronic music, but the response from them has been overwhelming. <br /><br />Audiences are getting more liberal towards new and experimental music, which makes the scene more vibrant. Watching my audience groove, dance and even participate in my music is the greatest motivation to be on stage again and again.”<br /><br /><br /></p>
<p>It is a new way of approaching music. ‘Filter Coffee’ is an Indian Ethnotronic collaborative effort brought to life by tabla player and percussionist Swarupa Ananth-Sawkar and flautist Shriram Sampath.<br /><br /></p>.<p> Their live performances feature a range of guest artistes across genres providing a new look at Hindustani classical music as they combine traditional tabla, flute and vocals with hypnotic electronic grooves and textured sounds. <br /><br />Swarupa, who plays a whole gamut of percussion instruments like djembe, darbuka, cajon, dhol, etc says, “My entire life is within music and without music there is no life. Cliché but true.” <br /><br />New dimensions<br /><br />Shriram, the other lead member of the group says, “We prefer to call this a global collaborative, its USP — featuring a new artiste every time and of bringing a different dimension.” Explaining the origin of the term ethnotronic, he adds, “We were playing at a club in London last year and the promoter who made the poster called us Ethnotronic. It stands for crossover — Indian ethnic and electronic music.”<br /><br />But why the intriguing name Filter Coffee? Swarupa says, “Flyod Maxell says coffee is a creative fluid, which is incredibly true for me. Coffee inspires me in its own way. I had been working on this music for a long time and when the time came to give it a name, there wasn’t anything fresher and better sounding than Filter Coffee for a band name. And Filter Coffee is an acceptable addiction from the place where I come from, South India.”<br /><br />Jahnvi Shrimankar, the slim and svelte vocalist of the group with an amazingly versatile repertoire, says, “I got to know both Shriram and Swarupa separately. I was keen on working together, and Filter Coffee had been looking for vocalists to feature in their gigs. <br /><br />That’s how I started performing with them.” She adds, “When it comes to music, money is not my top priority. For an artiste, it’s more important to experience creative fulfillment. Filter Coffee’s music was that for me.” Jahnvi brings in her inimitable vocal style with bandishes and alaaps to the songs created by Filter Coffee. <br /><br />There is a fourth member who conceives and executes the visuals for their live concerts. She functions as the official visual jockey for the group when they are touring. Multi-talented Shreya Naik aka Plan B takes the audience through a spectacular visual journey with Filter Coffee. <br /><br />She runs two start-ups, Dream Makers and Artsy Fartsy Co that handle music and arts respectively. Artiste management, music curating and talent scouting are conducted under Dream Makers and art- related activities are done by Artsy Fartsy. “My company sells art products by upcoming doodlers and artists and I design and conceptualise public art projects. These installations involve people to complete them,” Shreya says.<br /><br /> She, however, does not visualise any particular set of images for the music numbers. “Most of it happens on the fly while they are performing and I allow my imagination to go wild with each item played. Visuals add a different dimension to the performance.”<br />Though Filter Coffee is only six years old, it has performed at Brunswick and Sussex in the UK, Malaysia, Indonesia, UK and India. It is one of the few bands in the country to have played festival stages internationally this year. <br /> <br />A different take<br /><br />Jahnvi’s “Slowdown Kalandar” is a low-key, subtle and soulful number. Was this by design? Shriram says, “Slowdown Kalandar and some other numbers are a little more mellowed than other songs but this happened without any conscious effort.” These songs are strongly influenced by classical raagas.<br /><br /> He wrote a new arrangement for “Slowdown Kalandar” and it is easily one of the most popular cover songs in their repertoire. “While the traditional Mast Kalandar is driven by energy and tempo, I wanted to slow it down, add some textures, sit back and see if it still sounded as magical as did the original.”<br /><br />Asked about audience response to their kind of music, Swarupa says, “The best part about our audience is that we’ve played to all age groups. In the beginning, we were sceptical about how the older generation would accept Indian classical with a twist of electronic music, but the response from them has been overwhelming. <br /><br />Audiences are getting more liberal towards new and experimental music, which makes the scene more vibrant. Watching my audience groove, dance and even participate in my music is the greatest motivation to be on stage again and again.”<br /><br /><br /></p>
